notice
发表于 2025-3-23 13:39:40
,The Poetry of Philology: Burckhardt’s , and Mary Shelley’s ,ts (69–71, 79, 98). Its wars constantly disintegrated what its art—in the broad sense— had produced. For war, as Jacqueline Rose argues, marks a “limit” to claims of “absolute knowledge,” even as such claims are “offered as one cause—if not . cause—of war” (16–18).
indices
发表于 2025-3-23 15:10:30
,Germaine de Staël’s , (1807) and the Performance of Romanticism(s),ce from the ages of ten to fifteen, and who returns to spend her final exile before dying there in 1803. Corinne becomes the embodiment of Staël’s vision of prospects for a feminine Romanticism that is doomed to the chill of death even as it struggles to be born.
使人烦燥
发表于 2025-3-23 19:16:06
Coleridge, Sgricci, and the Shows of London: Improvising in Print and Performance,ternational mobility, the influence of this performance genre became surprisingly widespread across Europe, with eyewitness accounts, commentaries, and literary representations appearing in hundreds of English, French, German, Scandinavian, and Russian texts.
注意力集中
发表于 2025-3-24 00:50:09
Introduction,ler and his entourage through France to Venice, Florence, and Rome to wander amidst the ruins of classical antiquity and behold the great treasures of the Renaissance.. The nature of the traditional tour was altered by the French Revolution, not simply because the route to Italy was shifted through
检查
发表于 2025-3-24 03:32:54
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lattice
发表于 2025-3-24 08:01:54
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伪证
发表于 2025-3-24 13:17:56
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都相信我的话
发表于 2025-3-24 18:55:41
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CHOKE
发表于 2025-3-24 22:58:09
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MEAN
发表于 2025-3-25 01:37:30
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