MELON
发表于 2025-3-28 16:35:55
Morgan Schellenberg,Kenji Inabale also creating a moving homage to Pite’s mentors and contemporaries, whose lives and short careers are pitted against the fleeting nature of the dance art form. Combining the raw physicality of athletic power with Theodore Ushev’s hauntingly distinct artwork, the film resonates with the universal themes of conflict, loss, and rescue.
通便
发表于 2025-3-28 21:52:18
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pester
发表于 2025-3-29 02:20:48
Coma and Intensive Care Neurology,techniques, processes, and current productions, this essay argues that a feature that helped define both forms—a turning away from the proscenium arch and a turning towards alternative contexts—continues to connect them.
以烟熏消毒
发表于 2025-3-29 06:27:09
The Radiologic Evaluation of Renal Masses they do work together in investigating the complexities of representation and (embodied) identification within a Hollywood dance film revealing the deeply embedded contradictions that make it impossible to fully yield the progressive potential that can be read into it.
Antecedent
发表于 2025-3-29 11:13:37
https://doi.org/10.1007/978-981-13-7322-0ve performers can appear out of the projections or disappear into them. Discussion of the gaze and the notion of absence and presence brings a variety of theorists into play, including Walter Benjamin, Douglas Rosenberg, and John Berger.
podiatrist
发表于 2025-3-29 12:57:30
Location, Location, Location: Dance Film and Site-Specific Dancetechniques, processes, and current productions, this essay argues that a feature that helped define both forms—a turning away from the proscenium arch and a turning towards alternative contexts—continues to connect them.
碎石头
发表于 2025-3-29 17:53:40
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Commentary
发表于 2025-3-29 21:22:53
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蒙太奇
发表于 2025-3-30 01:31:32
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Obliterate
发表于 2025-3-30 04:40:33
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