coltish
发表于 2025-3-23 13:31:39
Still Dancing Downwards and Talking Back interacted with Africa. A linear mode of interpreting history and human activity ensured that the early European anthropologists studied African and indeed the cultures of all other subjugated peoples within an evolutionist discourse. There was the assumption therefore, that these were transitory c
民间传说
发表于 2025-3-23 17:41:30
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没有贫穷
发表于 2025-3-23 19:52:23
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Pseudoephedrine
发表于 2025-3-23 23:52:36
‘I seem to find the happiness I seek’ Heterosexuality and Dance in the Musicalhinks he’s married, or he’s promised never to marry. Whatever the reason something keeps them apart, except that when they start to dance … Well, what? It’s heaven, they’re in heaven, but just what is it that makes it so, what notion of happiness is embodied in their dancing?
ANTE
发表于 2025-3-24 04:05:28
Classical Indian Dance and Women’s Statusly persistent male dominance in dance production.. In India a key understanding of the reality of women’s subordinate status comes from the traditional and mythical portrayals of women (Ghadially, 1988), some of which are restated in dance..
ICLE
发表于 2025-3-24 10:00:17
Tricuspid Valve Disease Techniqueshinks he’s married, or he’s promised never to marry. Whatever the reason something keeps them apart, except that when they start to dance … Well, what? It’s heaven, they’re in heaven, but just what is it that makes it so, what notion of happiness is embodied in their dancing?
Amnesty
发表于 2025-3-24 14:03:24
Xiaohua Jin,Jianwu Li,Deping Ye,Zan Lily persistent male dominance in dance production.. In India a key understanding of the reality of women’s subordinate status comes from the traditional and mythical portrayals of women (Ghadially, 1988), some of which are restated in dance..
竞选运动
发表于 2025-3-24 18:28:01
https://doi.org/10.1007/978-1-349-22747-1Cultural Studies; culture; dance; dancing; film; gender; performance; sociology; women
考博
发表于 2025-3-24 22:26:15
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唤醒
发表于 2025-3-25 03:07:06
https://doi.org/10.1007/978-94-011-3784-3 of sociological literature. The paper is premised upon three related and, I think, uncontentious assumptions. These are that dance is generally a neglected topic for analysis; that it is inherently social; and that, as a non-verbal form of communication, dance is categorised as being non-rational.