temperate 发表于 2025-3-25 04:26:28
Isky Gordon M.D.,Klaus Hahn,Sibylle Fischerh school, gathering in circles and lines, while we sang along with the popular songs. And that was different still from dancing with others at religious events like weddings and after funerals, which was completely uplifting and freeing. Yet that feeling of being uplifted and free was a feeling I fehumectant 发表于 2025-3-25 08:00:33
http://reply.papertrans.cn/27/2604/260367/260367_22.png心痛 发表于 2025-3-25 11:39:05
http://reply.papertrans.cn/27/2604/260367/260367_23.png血统 发表于 2025-3-25 16:58:16
http://reply.papertrans.cn/27/2604/260367/260367_24.png改良 发表于 2025-3-25 22:10:49
On the Spiritual Motivations for Dance Consumption,pulmonary 发表于 2025-3-26 02:40:06
http://reply.papertrans.cn/27/2604/260367/260367_26.pngbizarre 发表于 2025-3-26 06:37:14
Womanist Transmodern Dance Metaphors of Mystical Consumption,e. This is true when looking at nonnative dancers of social dances because, to the knower, it comes across as practiced, timed, learned, and rehearsed rather than spontaneous and communicative. Again, for social dances I’m suggesting that people do this in celebratory, ritualistic, and communicative不要严酷 发表于 2025-3-26 08:48:45
On Valuing Mystical Dance Experiences, with God in their own movements. . As we move forward, it may be useful to summarize where we are so far. In chapter 1, I argued that seeing, experiencing, and feeling dance, and doing so among other people, fulfills needs for shared and individual spiritual experiences. An exploration of definitiocomely 发表于 2025-3-26 14:02:38
http://reply.papertrans.cn/27/2604/260367/260367_29.pngArable 发表于 2025-3-26 19:59:35
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