ambivalence
发表于 2025-3-23 13:07:52
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CRAFT
发表于 2025-3-23 13:53:36
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旅行路线
发表于 2025-3-23 19:34:30
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忧伤
发表于 2025-3-24 00:48:56
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严重伤害
发表于 2025-3-24 04:36:21
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吵闹
发表于 2025-3-24 08:30:30
Book 2018oreographers, and muralists had produced state-sponsored works in wide public spaces. The book assesses how the “cosmic generation” in Mexico connected the nation-body and the dancer’s body in artistic movements between 1920 and 1950. It first discusses the role of dance in particular, the convergen
Lumbar-Stenosis
发表于 2025-3-24 13:26:46
other arts (visual arts, theater, music) in the larger conte.Dance and the Arts in Mexico, 1920–1950. tells the story of the arts explosion that launched at the end of the Mexican revolution, when composers, choreographers, and muralists had produced state-sponsored works in wide public spaces. The
严厉谴责
发表于 2025-3-24 15:10:38
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Congruous
发表于 2025-3-24 23:00:54
1950s: The Hybrid Body,formance of masculinity at a time when the state was campaigning to replace revolutionary aggression with bureaucracy. At the same time, critics in the United States claimed Limón as American. This chapter examines Limón’s hybrid humanist choreographies and his complicated role as Arts Ambassador for the United States during the Cold War.
AVOID
发表于 2025-3-24 23:53:28
,Inspektion der äußeren Analregion,the natural resources of Mexico. Rivera’s design for the principal dancer H.P. melded an ancient deer dance of the south with the modern machinery of the north. However, the story seemed to also subtly critique Pan-Americanism; misunderstandings arose between the Mexican creators, the conductor Leopold Stokowski, and the U.S. press and public.