Incumbent
发表于 2025-3-25 06:26:57
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束以马具
发表于 2025-3-25 11:00:37
A. J. Day,A. K. Horsch,J. W. Proudlockor reinforcing propaganda for, social and political content and action. For as long as artists have made works available for public or private observation by others, navigation between the ideas presented in the works and how witnesses interpret and respond has been underway. This navigation is some
急性
发表于 2025-3-25 14:08:15
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扩大
发表于 2025-3-25 18:02:21
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callous
发表于 2025-3-25 22:52:36
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旧石器
发表于 2025-3-26 01:21:43
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易于交谈
发表于 2025-3-26 05:48:44
Errancy as Work: Seven Strewn Notes for Dance Dramaturgy) and Centro Párraga (Cultural Center for the Development and Research of the Scenic Arts, linked to the Regional Government). Gathering performing arts professionals, scholars, and students, the seminar’s debates departed from the following proposition: .
使苦恼
发表于 2025-3-26 09:09:45
Thinking No-One’s Thoughtts provided by former teachers of the activities performed by a dramaturg: background research, analysis, observing rehearsals, being a ., writing program notes and grant applications, and so on. While such lists may indeed provide an initial impression of the kind of activities with which dramaturg
OTHER
发表于 2025-3-26 15:31:29
Distributed Dramaturgies: Navigating with Boundary Objects” to both himself and the ensemble, streamlining and furthering the education of a collective limited by the temporal demands of their profession. Referring recently to his collaborations with David Levin, Heidi Gilpin, and Patricia Baudoin in the late 1980s, he commented, “It was an excuse… They ha
夹克怕包裹
发表于 2025-3-26 20:46:18
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