无能性
发表于 2025-3-23 10:50:27
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Intend
发表于 2025-3-23 16:37:19
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kidney
发表于 2025-3-23 21:57:02
The Motif of Whistleblowing and its Functionalization in V,: F, C,-U, , C,ing starting from the feature film A. and then derives how it was functionalized for V.. In doing so, contradictions emerge that reveal whistleblowing as an affect-oriented authentication strategy.
installment
发表于 2025-3-24 01:01:41
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exhilaration
发表于 2025-3-24 02:36:30
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单调性
发表于 2025-3-24 10:06:12
https://doi.org/10.1007/978-1-349-18903-8 a German national asset. The feature film . moves in the image discourse of early horror and adventure films from Hollywood. With its black-and-white images, it transports no less powerful conspiracy narratives than today with the endless flood of moving images that can be seen everywhere and lead to three-dimensional colorful conspiracy worlds.
ZEST
发表于 2025-3-24 12:07:30
Christopher L. Colvin,Homer Wagenaarg with historical contexts in television entertainment and explores the boundary between the “what if” and conspiracy narratives. It also leads to questions about conspiracy narratives, media implementations, and our own understanding of science.
淡紫色花
发表于 2025-3-24 18:03:13
How Does Health Affect Happiness? contribution investigates the extent to which documentary films can be used in the didactic context for . and ., what advantages they offer and where criticism may be appropriate. This article aims to illustrate that the inherent complexity of the films requires a reflective use as a tool in teaching.
ALOFT
发表于 2025-3-24 20:58:52
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IRATE
发表于 2025-3-25 02:28:39
,National Socialist Conspiracy Narratives: Veit Harlan’s Feature Film , a German national asset. The feature film . moves in the image discourse of early horror and adventure films from Hollywood. With its black-and-white images, it transports no less powerful conspiracy narratives than today with the endless flood of moving images that can be seen everywhere and lead to three-dimensional colorful conspiracy worlds.