纤细 发表于 2025-3-25 06:03:47
Samiratou Dipama,Emel Parlar Dalhe female protagonists are shown as active agents of change, mobile and in transit, yet unsure of what will come. The films’ lack of closure leaves us puzzled about the women’s future and whether or not their empowerment and feminist consciousness will last. All of the questions raised around femalemonochromatic 发表于 2025-3-25 10:50:48
http://reply.papertrans.cn/25/2422/242122/242122_22.pngresuscitation 发表于 2025-3-25 13:06:26
http://reply.papertrans.cn/25/2422/242122/242122_23.png改正 发表于 2025-3-25 19:19:59
http://reply.papertrans.cn/25/2422/242122/242122_24.pngTerrace 发表于 2025-3-25 22:09:17
http://reply.papertrans.cn/25/2422/242122/242122_25.png遣返回国 发表于 2025-3-26 00:08:17
http://reply.papertrans.cn/25/2422/242122/242122_26.png牵连 发表于 2025-3-26 05:10:19
http://reply.papertrans.cn/25/2422/242122/242122_27.pngENNUI 发表于 2025-3-26 09:10:34
Instead of Conclusion: Diasporic Indeterminacies,he female protagonists are shown as active agents of change, mobile and in transit, yet unsure of what will come. The films’ lack of closure leaves us puzzled about the women’s future and whether or not their empowerment and feminist consciousness will last. All of the questions raised around female调整 发表于 2025-3-26 15:57:54
http://reply.papertrans.cn/25/2422/242122/242122_29.png勤勉 发表于 2025-3-26 17:53:41
Introduction,section of three conceptual frameworks: feminist theories of women’s film authorship, Hamid Naficy’s concept of “accented” cinema, and Iranian transnational cinema. Furthermore, the chapter introduces the concepts of exile, diaspora and post-diaspora, and provides a brief history of the formation of