strain
发表于 2025-3-23 11:59:18
Supervised Corpus-Based Methods for WSD,emorative maritime imagery of the French North Atlantic in greater global ocean ecologies. Comparisons are made to paintings and material culture from Brittany that either remember the lost at sea or serve as votive offerings to chapels. Votive boats such as the one held by the boy are posited as pa
肉身
发表于 2025-3-23 17:50:56
https://doi.org/10.1007/978-1-4020-5754-0uffering. Their captivity narratives and their growing commemorative efforts coincided with other attempts to tell the true history of the Civil War and its prison camps. One of the public spaces of commemoration that appeared as part of this larger effort was the Libby Prison War Museum. Within jus
凝结剂
发表于 2025-3-23 19:47:07
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Crayon
发表于 2025-3-24 00:23:37
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扩大
发表于 2025-3-24 03:34:12
Whiteness and Class in Educations, short stories, novels, political cartoons, histories, survival stories, newspaper articles, letters to the editor, souvenirs, and travelogues. British success during the Uprising was also celebrated during the durbars when spectators watched Indian men who had remained loyal to Britain march duri
侵略者
发表于 2025-3-24 09:49:16
Whiteness and Class in Education demise Federalists remained active in American memory and treated as a living danger. The chapter looks at the Federalist Party’s legacy, beginning in its lifetime and culminating in the aftermath of the American Civil War. The chapter shows that the usage of the Federalist Party as an “other” reve
dilute
发表于 2025-3-24 14:30:05
Whiteness and Class in Educationor the middle class during a period of political division, inner-German military conflict, and defeat and occupation by a foreign power, resulting from the long-term effects of the French Revolution. In this context, it provided a communal vehicle toward discovering, consuming, and reenacting a dist
CHAFE
发表于 2025-3-24 14:54:49
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Minatory
发表于 2025-3-24 23:05:44
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Ankylo-
发表于 2025-3-25 01:29:09
Mirrors with a Memory: Postmortem Photography and Spirit Photography in Transitional British Fiction888), Amy Levy’s . (1888), and E. W. Hornung’s . (1911)—this chapter addresses the ways both postmortem and spirit photographs represent memorialization as an ongoing, dynamic interaction with the past—a temporal challenge, in some respects, to the pastness of death.