全国性 发表于 2025-3-26 21:53:46

Introduction: Culture Wars Revisited: Navigating the Ideological Landscape in Post-2010 Social Horrg of horror conventions and social commentary. As part of the horror film trend commonly known as “social horror” (Heba 1995; Kronja 2016), . championed the filmic representation of sociopolitical ideologies in the United States at a time when horror codes and sociocultural issues acquired recognize

蛰伏 发表于 2025-3-27 05:00:28

Black Bodies/White Spaces: The Horrors of White Supremacy in , (2017)starting point for Peele’s exploration of race in the United States was the way the racialized structures of social environments produced and organized unequal race relations. This structural perspective on race allows . to raise political questions that deeply resonated with the dominant concerns o

conifer 发表于 2025-3-27 05:30:20

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mendacity 发表于 2025-3-27 11:11:46

“I Can’t (Don’t) Breathe”: White Veterans and Twenty-First-Century Culture Warsho single-handedly defends his home against three youths seeking to steal his savings. The film was so successful that five years later it spawned a sequel, . (Rodo Sayagues 2021) in which the veteran fights members of a brutal gang who invade his home and kidnap the girl he calls his daughter..Both

不能逃避 发表于 2025-3-27 16:25:13

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诱拐 发表于 2025-3-27 18:15:18

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使习惯于 发表于 2025-3-28 01:06:58

“Say His Name”: , (2021) as a Critique of Black Trauma Pornlent avenger killing strangers as symbolic substitutes. Innocent Black men systematically targeted and lynched are reborn as vengeful revenants in search of communal recognition and propagation, conjured through performative utterance. The creation of a new Candyman signals that anti-Black hostility

MENT 发表于 2025-3-28 03:55:16

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星球的光亮度 发表于 2025-3-28 06:28:31

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马笼头 发表于 2025-3-28 10:41:47

Preying on the Other: Culture Wars Narratives in Horror Hunting Filmsction of Donald Trump in 2016. His election polarized American society and entered popular cultural tropes, including horror films. It seems that the culture wars constructed an ideological “Other,” a monstrous Other who evinces the main features of the horror monster: it is menacing, as it aims to
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查看完整版本: Titlebook: Culture Wars and Horror Movies; Social Fears and Ide Noelia Gregorio-Fernández,Carmen M. Méndez-García Book 2024 The Editor(s) (if applicab