谎言 发表于 2025-3-23 10:37:41
Group Body Language in Performance Art, Films and Dance by the Indonesian Avant-Garde,hapter makes use of Bourdieu’s notion of ., a term referring to the way human beings internalize aspects of their cultures in their bodies and body language. It also deploys theoretical frameworks developed Bateson and Mead in their pioneering work of visual anthropology, .湿润 发表于 2025-3-23 16:37:06
cludes a discussion of the kinds of cultural specificity addressed with regard to film in other countries, particularly the work of Noel Burch on Japanese cinema, and Ravi Vasudevan and others on Indian film, but also theoretical questions raised about cultural specificity by these authors, and by the theorist of ‘Third Cinema’, Teshome Gabriel.fatuity 发表于 2025-3-23 19:58:04
hapter makes use of Bourdieu’s notion of ., a term referring to the way human beings internalize aspects of their cultures in their bodies and body language. It also deploys theoretical frameworks developed Bateson and Mead in their pioneering work of visual anthropology, .Seizure 发表于 2025-3-23 23:22:30
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http://reply.papertrans.cn/25/2409/240900/240900_15.png描述 发表于 2025-3-24 08:50:40
e in the 1950s, the 1970s and the new millennium, periods in which new generations of talent emerged. It also outlines the economics of the industry, including competition between locally produced films and product from Hollywood, Hong Kong and India..obstruct 发表于 2025-3-24 12:11:46
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of the superior status (compared with India, for example) given to women in some countries in early modern South East Asia, and signs of its presence even in contemporary times, as discerned by Western anthropologists.褪色 发表于 2025-3-24 23:32:50
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