不朽中国 发表于 2025-3-25 04:48:36
http://reply.papertrans.cn/25/2408/240715/240715_21.png愉快么 发表于 2025-3-25 09:03:32
http://reply.papertrans.cn/25/2408/240715/240715_22.pngIntractable 发表于 2025-3-25 15:43:44
http://reply.papertrans.cn/25/2408/240715/240715_23.png王得到 发表于 2025-3-25 19:46:51
Subject to Place, Subjected by Poetry,canon of taste using . literary production as its benchmark. If serious fiction used mimesis for revelatory truth, so pulp used it for entertainment. Indeed, pulp turned information into entertainment for the urban, literate and democratic masses.FACT 发表于 2025-3-25 23:01:23
http://reply.papertrans.cn/25/2408/240715/240715_25.png钩针织物 发表于 2025-3-26 01:27:43
West is East: Nayland Smith’s Sinophobia and Sax Rohmer’s Bank Balancee hatred of these authors employs a feverish conjunctivity, with oily Jews who are both capitalists and ‘bolsheviks’, or Chinese who are mandarin warlords and opium den keepers in Limehouse. Moreover, when not acting themselves these essentially cowardly folk employ peculiarly simian dacoits or things of a polyglot and nauseous origin.虚弱 发表于 2025-3-26 05:57:19
http://reply.papertrans.cn/25/2408/240715/240715_27.pngIrascible 发表于 2025-3-26 10:12:04
http://image.papertrans.cn/d/image/240715.jpginsipid 发表于 2025-3-26 13:03:51
https://doi.org/10.1057/9780230390126art; Britain; culture; experience; fiction; genre; Great Britain; law; literature; living; nature; play; publishFactual 发表于 2025-3-26 17:34:38
Identity in Question and the Place of WorkWhat might constituencies of readers look like? The following examples may act as guides.