Connotation 发表于 2025-3-25 05:26:52
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The Revolutionary Abolitionists of Haitid musicians that migrated massively after the 1990s crisis. It proposes the term the Transnational Cuban Alternative Music Scene (TCAMS) to illustrate this open-ended transnational network of music making, through constant fusion and cultural counterpoints with an array of Cuban and global music ref共同确定为确 发表于 2025-3-26 07:33:19
Poetry and the Liberty of Feeling,” of Cuban Fusion music in the Latino, world and jazz music markets. This chapter proposes and opens up a discussion on Cuban Fusion as a narrative and cultural category of representation, to think about the implications of the transnationalization of Cuban music since the 1990s. The chapter aims to委屈 发表于 2025-3-26 08:53:32
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