小天使
发表于 2025-3-21 17:48:49
书目名称Cross-Gendered Literary Voices影响因子(影响力)<br> http://impactfactor.cn/if/?ISSN=BK0240344<br><br> <br><br>书目名称Cross-Gendered Literary Voices影响因子(影响力)学科排名<br> http://impactfactor.cn/ifr/?ISSN=BK0240344<br><br> <br><br>书目名称Cross-Gendered Literary Voices网络公开度<br> http://impactfactor.cn/at/?ISSN=BK0240344<br><br> <br><br>书目名称Cross-Gendered Literary Voices网络公开度学科排名<br> http://impactfactor.cn/atr/?ISSN=BK0240344<br><br> <br><br>书目名称Cross-Gendered Literary Voices被引频次<br> http://impactfactor.cn/tc/?ISSN=BK0240344<br><br> <br><br>书目名称Cross-Gendered Literary Voices被引频次学科排名<br> http://impactfactor.cn/tcr/?ISSN=BK0240344<br><br> <br><br>书目名称Cross-Gendered Literary Voices年度引用<br> http://impactfactor.cn/ii/?ISSN=BK0240344<br><br> <br><br>书目名称Cross-Gendered Literary Voices年度引用学科排名<br> http://impactfactor.cn/iir/?ISSN=BK0240344<br><br> <br><br>书目名称Cross-Gendered Literary Voices读者反馈<br> http://impactfactor.cn/5y/?ISSN=BK0240344<br><br> <br><br>书目名称Cross-Gendered Literary Voices读者反馈学科排名<br> http://impactfactor.cn/5yr/?ISSN=BK0240344<br><br> <br><br>
hypertension
发表于 2025-3-21 23:29:29
https://doi.org/10.1057/9781137020758Charles Dickens; fashion; fiction; gender; Narration; Narrative; Samuel Beckett; theatre; Victorian era; wome
staging
发表于 2025-3-22 02:24:52
978-1-349-33553-4Palgrave Macmillan, a division of Macmillan Publishers Limited 2012
帐单
发表于 2025-3-22 05:30:51
http://reply.papertrans.cn/25/2404/240344/240344_4.png
有权
发表于 2025-3-22 09:48:43
http://reply.papertrans.cn/25/2404/240344/240344_5.png
Hemiparesis
发表于 2025-3-22 14:01:11
http://reply.papertrans.cn/25/2404/240344/240344_6.png
Hemiparesis
发表于 2025-3-22 20:13:18
http://reply.papertrans.cn/25/2404/240344/240344_7.png
BLINK
发表于 2025-3-22 22:42:45
http://reply.papertrans.cn/25/2404/240344/240344_8.png
ACME
发表于 2025-3-23 04:45:59
http://reply.papertrans.cn/25/2404/240344/240344_9.png
陈腐思想
发表于 2025-3-23 07:53:29
Untersuchungsaufbau und Methodeds including literature, film, philosophy and psychoanalysis, most notably by Steven Connor, Mladen Dolar and Adriana Cavarero, whose works were inspired by Kaja Silverman, Guy Rosolato and Michel Chion. As Norie Neumark points out, critics began to recognize the importance of ‘the in-between, uncan