ossicles
发表于 2025-3-21 19:21:09
书目名称Cross Generational Relationships and Cinema影响因子(影响力)<br> http://impactfactor.cn/if/?ISSN=BK0240247<br><br> <br><br>书目名称Cross Generational Relationships and Cinema影响因子(影响力)学科排名<br> http://impactfactor.cn/ifr/?ISSN=BK0240247<br><br> <br><br>书目名称Cross Generational Relationships and Cinema网络公开度<br> http://impactfactor.cn/at/?ISSN=BK0240247<br><br> <br><br>书目名称Cross Generational Relationships and Cinema网络公开度学科排名<br> http://impactfactor.cn/atr/?ISSN=BK0240247<br><br> <br><br>书目名称Cross Generational Relationships and Cinema被引频次<br> http://impactfactor.cn/tc/?ISSN=BK0240247<br><br> <br><br>书目名称Cross Generational Relationships and Cinema被引频次学科排名<br> http://impactfactor.cn/tcr/?ISSN=BK0240247<br><br> <br><br>书目名称Cross Generational Relationships and Cinema年度引用<br> http://impactfactor.cn/ii/?ISSN=BK0240247<br><br> <br><br>书目名称Cross Generational Relationships and Cinema年度引用学科排名<br> http://impactfactor.cn/iir/?ISSN=BK0240247<br><br> <br><br>书目名称Cross Generational Relationships and Cinema读者反馈<br> http://impactfactor.cn/5y/?ISSN=BK0240247<br><br> <br><br>书目名称Cross Generational Relationships and Cinema读者反馈学科排名<br> http://impactfactor.cn/5yr/?ISSN=BK0240247<br><br> <br><br>
放纵
发表于 2025-3-21 22:12:04
,Räumliche Aussteifung von Geschossbauten,aughan), her husband of more than thirty years. Unable to receive comfort and meaningful connection from both of her estranged, grown-up children—with whom she maintains a difficult relationship marked by unresolved tension—May commences an affair with her daughter’s lover, Darren (Daniel Craig), wh
duplicate
发表于 2025-3-22 01:07:36
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显而易见
发表于 2025-3-22 05:55:27
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sphincter
发表于 2025-3-22 09:43:19
Internationales Risikomanagement, the novice filmmaker symbolically took up the directorial baton from her mother: Nancy Meyers, a Producer on the film, and one of the foremost women filmmakers of all time. This chapter examines how . self-consciously alludes to this distinctive filmic pedigree, fostering a sense of cinematic indeb
使饥饿
发表于 2025-3-22 14:16:44
,Betrachtung der Veränderungsprozesse, men often through monetary exchange or other forms of coercion. The second is the stereotype of the asexual ‘old queen’—a body whose ageing effeminacy removes him from the matrix of sexual eroticism. The two films analysed in this chapter attempt to challenge these stereotypes and revise the receiv
使饥饿
发表于 2025-3-22 18:49:33
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Veneer
发表于 2025-3-22 23:29:03
https://doi.org/10.1007/978-3-8349-3512-0ne (Brendan Fraser), through a window frame. We cut to the interior of the director’s Hollywood home, the most prominent aspect of which is the copy of a marble relief from the Parthenon frieze depicting two semi-nude youths on horseback. This establishing moment indicates how the film constantly sh
FRAX-tool
发表于 2025-3-23 04:26:51
Schlussbetrachtung und Ausblick, younger partners in the dark comedies . (Robert Aldrich, 1968) and . (Douglas Hickox, 1970). These roles departed from the dominant representations of ageing femininity in film comedy which typically elided any suggestion of sexuality. Drawing on Mary Russo’s work on the ‘female grotesque’, the cha
过剩
发表于 2025-3-23 08:46:52
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