satisficer 发表于 2025-3-21 19:06:46
书目名称Critically Mediterranean影响因子(影响力)<br> http://impactfactor.cn/2024/if/?ISSN=BK0240183<br><br> <br><br>书目名称Critically Mediterranean影响因子(影响力)学科排名<br> http://impactfactor.cn/2024/ifr/?ISSN=BK0240183<br><br> <br><br>书目名称Critically Mediterranean网络公开度<br> http://impactfactor.cn/2024/at/?ISSN=BK0240183<br><br> <br><br>书目名称Critically Mediterranean网络公开度学科排名<br> http://impactfactor.cn/2024/atr/?ISSN=BK0240183<br><br> <br><br>书目名称Critically Mediterranean被引频次<br> http://impactfactor.cn/2024/tc/?ISSN=BK0240183<br><br> <br><br>书目名称Critically Mediterranean被引频次学科排名<br> http://impactfactor.cn/2024/tcr/?ISSN=BK0240183<br><br> <br><br>书目名称Critically Mediterranean年度引用<br> http://impactfactor.cn/2024/ii/?ISSN=BK0240183<br><br> <br><br>书目名称Critically Mediterranean年度引用学科排名<br> http://impactfactor.cn/2024/iir/?ISSN=BK0240183<br><br> <br><br>书目名称Critically Mediterranean读者反馈<br> http://impactfactor.cn/2024/5y/?ISSN=BK0240183<br><br> <br><br>书目名称Critically Mediterranean读者反馈学科排名<br> http://impactfactor.cn/2024/5yr/?ISSN=BK0240183<br><br> <br><br>指耕作 发表于 2025-3-21 23:35:41
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978-3-030-10107-7The Editor(s) (if applicable) and The Author(s) 2018灯泡 发表于 2025-3-22 09:00:17
cribes how the sea’s memorial density reveals the fundamental tensions underlying most historically bound investigations of the Mediterranean in modernity. The Mediterranean mobilized by the Introduction is posited in performative terms: the sea as a medium through which to negotiate subjects’ imagiMinatory 发表于 2025-3-22 14:39:07
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Wissenswirtschaft in Deutschland 2002ng of the puzzle as in the careful examination of the crisis of representation. Our analysis of Durrell’s landscape writing explores the underlying connections between the various images of the Mediterranean at a time when Durrell was grieving the loss of a geographic, historical, and cultural entitfebrile 发表于 2025-3-23 03:41:19
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Wissenswirtschaft in Deutschland 2002erts normative narratives, especially classical modernism’s spatial and temporal foundations and avant-garde discourses. His alternative modernism and avant-gardism refuses hegemonic modernity’s binarisms of tradition versus modernity and “high art” versus “low art.” His work was enabled by his posi