DAFT
发表于 2025-3-23 12:08:19
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废墟
发表于 2025-3-23 17:38:56
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使增至最大
发表于 2025-3-23 18:58:39
Betriebsweise und Betriebskosten,nger restricted by temporal and spatial distances. Witnessing is in fact a political performance as much as it is an acknowledgement of the quotidian. Sensory encounters with worlds that are censored by state-owned or mainstream media are a valuable source of alternate history, activism, and art. It
修改
发表于 2025-3-23 22:26:20
Bemerkungen zu den Versuchsresultaten,intain a social persona, and to present a version of the self as the poster/author wants to appear to others. As it is shared online, the selfie often conveys a deceptive sense of closeness between the picture-taker and audience. Selfie-taking, to some staff of the 2016 Hillary Clinton presidential
制定法律
发表于 2025-3-24 05:00:57
Betriebsweise und Betriebskosten,ts through the use of various archive and database methods. Using a practice-led research methodology, I will be reflecting on the processes and outcomes of the of the mobile media film ., a film made with a series of granular moments that were originally shared on Instagram. As in other mobilementa
reflection
发表于 2025-3-24 06:57:58
Bemerkungen zu den Versuchsresultaten,n recorded by humans, edited, and narrated to be represented and interpreted in certain ways, to make them stand for certain human symbols and projections. But what happens when one of those animals grabs the camera? What happens when a seagull steals a camera, when squirrels photobomb hikers or whe
低三下四之人
发表于 2025-3-24 12:42:02
Bemerkungen zu den Versuchsresultaten,tegy, emphasizing reception as a critical practice that can account for the necessary performativity in bringing a particular location to life on radio, TV, and film. I offer an intermedial historiography of Vancouver’s False Creek area that situates the audio documentation of the World Soundscape P
含糊
发表于 2025-3-24 18:45:07
Kurze Uebersicht der Schall- und Klanglehrect of listening has long been overlooked. This chapter explores the importance of listening as a critical and ethical turn in documentary through the discussion of the following non-linear works: Natalie Bookchin’s . (2012 and 2017) and . (2016), Eline Jongsma and Kel O’Neill’s . (2012–2014) and Ros
arthrodesis
发表于 2025-3-24 23:04:55
Kurze Uebersicht der Schall- und Klanglehrescribing and performing the world critically. Stories struggle to account for, describe, or perform the entangled complexity of the world because of their inherent need to be linear and sequential. The author examines how the concepts and methods offered by recent materialist and post-humanist philo
TAP
发表于 2025-3-24 23:19:02
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