Gene408
发表于 2025-3-28 15:26:58
Weaving Fabrications, and her relation to the outer spaces of place and community. Rachel Cameron’s and Stacey MacAindra’s narratives are undeniably ‘inner-space fiction’ (to adopt a term used by Doris Lessing), offering two very different models for women’s stories, but here individual difference is supplemented by family likeness.
和平
发表于 2025-3-28 22:42:18
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Pandemic
发表于 2025-3-28 23:49:42
,Margaret Laurence’s Manawaka, Neepawa, Manitoba, Canada record some answers to these questions. Playmates, neighbours, relatives, classmates, teachers and townspeople who knew Margaret Laurence recalled experiences, gave impressions of how she felt, and responded to her fiction.
Prostaglandins
发表于 2025-3-29 03:16:17
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EPT
发表于 2025-3-29 08:18:38
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希望
发表于 2025-3-29 14:01:23
Thin Film Water on Insulator Surfacesto twins (‘twice as reprehensible as one’) we move toward a central focus on the mystery of Nick Kazlik’s twinship: a correlative of the doubleness in Nick — and in many other aspects of the rich, mysterious, funny world that Margaret Laurence created in this novel.
Carcinogenesis
发表于 2025-3-29 18:07:21
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Hemodialysis
发表于 2025-3-29 23:37:48
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死猫他烧焦
发表于 2025-3-30 03:56:48
,Margaret Laurence’s ,conception of ‘paradise’ and ‘the artist’. Laurence also defines herself against Modernists James Joyce and T. S. Eliot, drawing on . for her portrait of the artist as a young woman, and on ., which similarly draws on Shakespeare’s . (and for the same reasons Laurence does) for its concern with the uses of the past.
MUMP
发表于 2025-3-30 08:06:36
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