悲痛
发表于 2025-3-23 13:07:16
Jan Louisporters’ emotional experience, and the role of newsmaking technology in shaping of the experience. The fictional story in this chapter is located at an airport. The readers get acquainted with the main character James, a fictional journalist.
Hallmark
发表于 2025-3-23 17:15:42
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旧石器
发表于 2025-3-23 20:11:54
,Grundlagen der Wärmeübertragung,he forms of subjectivity that are most appropriate to the practice of crisis reporting. The fictional narrative revolves around James’ growing nervousness: he focuses more and more on his professional task and his experience becomes gradually determined by his job.
Seizure
发表于 2025-3-24 02:06:17
Chris Biemann,Gerhard Heyer,Uwe Quasthoffthor highlights the potential of narrative journalism. The fictional part of the narrative ends with James’ role model giving him a helping hand, thus stressing the importance of assistance from more senior reporters.
走路左晃右晃
发表于 2025-3-24 03:08:01
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anesthesia
发表于 2025-3-24 08:49:21
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Accolade
发表于 2025-3-24 14:27:11
The Emotional Experience of Crisis Reporters: The Journey, reporters’ coping strategies and criticizes media organizations for not taking responsibility. Throughout this chapter, James goes through ordinary air experiences such as turbulences, joking with neighbors and drinking a beer, each serving as a metaphor for a corresponding topic within the empirical material.
STALL
发表于 2025-3-24 18:02:42
,Articulating Journalists’ Emotional Experiences of Crisis: Touching Down,he forms of subjectivity that are most appropriate to the practice of crisis reporting. The fictional narrative revolves around James’ growing nervousness: he focuses more and more on his professional task and his experience becomes gradually determined by his job.
无聊的人
发表于 2025-3-24 22:01:20
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Lethargic
发表于 2025-3-25 00:17:33
Creative Nonfiction and the Research Method,ch process, following four stages: establishing the field, immersion in the research problem, disentanglement, and return to the field. Kotišová also addresses the epistemology and methodology of studying emotions, and the opportunistic, multi-sited, and participatory logic of the research design.