描绘
发表于 2025-3-26 23:34:07
Für einen , in der Kunstpädagogikthe whole war on drugs. Since the beginning of this century, however, nearly a hundred musicians of the . genre have been murdered and the reasons for these murders cannot be dissociated from the evolution of the drug cartels—fundamentally their fragmentation—and of the war on drugs in Mexico.
RADE
发表于 2025-3-27 02:27:32
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领袖气质
发表于 2025-3-27 07:55:04
Stories of Crime and Music, the emotions and socio-political responses it is able to evoke. This discussion reflects the diversity of intellectual fields that study both the making of music in its many forms and variations and how it is received by its listeners. The only matter on which there is unanimous agreement is the im
Mumble
发表于 2025-3-27 11:46:37
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六边形
发表于 2025-3-27 15:08:29
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抱怨
发表于 2025-3-27 20:44:16
: Child Abuse and the Search for Musical Perfectionse, homosexuality, misogyny and paedophilia, the castration of young boys was clouded in secrecy and covered up by the Roman Catholic Church. In this chapter, I ask why and by whom the practice of castrating boys to preserve their high voices—something that would now be considered as severe child ab
涂掉
发表于 2025-3-27 22:16:56
Crime at the Opera Housen opera. In serious operas, crime is overwhelmingly present. My inventory includes a widely varied list of murder, theft, trafficking in women, kidnapping, rape, forced suicide, severe physical injury, molestation, attempted murder, incest, treason, abuse of power, robbery, fraud, and manslaughter.
我没有命令
发表于 2025-3-28 02:06:19
“Blood-Thirsty Blues”: The Sonic Politics of American Murder Balladshas not been addressed in an interdisciplinary fashion and remains a desiderata to gain insight into the human condition. In the most general sense, murder ballads can be described as narratives about crimes—both real and imagined. In poetic fashion, we learn about a killing in grisly details from t
光明正大
发表于 2025-3-28 06:20:48
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nurture
发表于 2025-3-28 12:01:18
Jazz and the Mob: A Story of Unexpected Patronaget half of the twentieth century the author agrees with Ronald Morris 1980, Wait Until Dark, Jazz and the Underworld, 1880–1940. Bowling Green, Oh: Bowling Green University Popular Press, 1980) characterization of the relationship between musicians and the mob as being one of modern patronage. Gangst