分期付款
发表于 2025-3-27 00:31:04
Creative Masses: Amateur Participation and Corporate Success in Japan’s Media IndustriesMassive commodification and marketing of media culture is not, of course, unique to Japan. Many countries have commodified and industrialized culture to some degree, whether for purposes of entertainment or propaganda.
Misgiving
发表于 2025-3-27 02:10:05
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神化怪物
发表于 2025-3-27 05:25:27
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很是迷惑
发表于 2025-3-27 13:32:16
978-981-15-3058-6Springer Nature Singapore Pte Ltd. 2020
Canvas
发表于 2025-3-27 15:18:08
Nissim Otmazgin,Eyal Ben-AriLinks organizational and social creativity in the media and cultural industries to the cultural dimensions of creativity.Presents innovative concepts and categories for understanding how cultural crea
gangrene
发表于 2025-3-27 20:31:45
Creative Economyhttp://image.papertrans.cn/c/image/239497.jpg
ethereal
发表于 2025-3-27 22:59:23
Wichtige Schnittstellen des SAP WebFlow,ural industries. Indeed, the term (frequently in concert with allied notions) is variously used as a guiding organizational principle, a marker of a peculiar form of production, a mobilizing and motivating slogan for employees in workplaces, or a motto differentiating them from other industries. Wha
踉跄
发表于 2025-3-28 02:08:25
Typische technische Problemkreise,and the digital .. The . of social media platforms, designed for addiction, has heightened concerns about the . and . of markets for cultural products. Whether virtual ., and new ecologies of curation, may attenuate these effects is explored. The chapter then explores challenges for creative work un
任意
发表于 2025-3-28 07:35:24
https://doi.org/10.1007/978-3-642-55673-9e, requires a material and social context within which it can practice. This context includes, but is not limited to, the existence of an audience that might be expected to understand the work produced, the means by which the work can reach that audience and at least the possibility—within capitalis
团结
发表于 2025-3-28 12:40:25
Bedingte nichtlineare Regressionativity—by applying a prism of professional identity work. Specifically, it empirically explores professional identity dilemmas from the vantage point of graphic and fashion designers based in Tokyo, Japan. Drawing on career- and work-narratives, it investigates the role of potentially competing wor