威风 发表于 2025-3-21 17:34:07
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http://reply.papertrans.cn/24/2394/239400/239400_2.png我没有强迫 发表于 2025-3-22 04:03:21
ivals such as Blues Clues and Teletubbies . This book examines the industry interests behind preschool television, and how commercial, creative and curricular priorities shape and inform what is produced.978-0-230-27460-0Congeal 发表于 2025-3-22 07:07:19
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Giuseppe De Giacomo,Fabio Patriziduction community. Alongside long-running series such as ., more recent arrivals such as . and . have become enduring favourites with children and their parents. The international presence of these series alone underlines the phenomenal changes experienced by preschool television in recent years witphytochemicals 发表于 2025-3-22 20:59:59
Hong Fu,Xiaoming Wang,Yingshu Liion of adult ‘interests or fantasies or desires’ and their construction of childhood rather than a reflection of what children want (1995a: 47). This is apparent in the history of children’s television, where programming is nearly always incontrovertibly linked to the cultural and institutional contFICE 发表于 2025-3-23 00:27:15
Small Specifications for Tree Update,7a). Like all children’s programming, there is a new audience every 2 years as the old one grows up and moves on. Where many preschool series differ, however, is in their longer shelf life with some animation and costumed character shows exhibiting a timeless ‘classic’ quality, which means that theyMets552 发表于 2025-3-23 04:33:36
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