包庇
发表于 2025-3-27 01:02:33
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隼鹰
发表于 2025-3-27 04:55:33
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肿块
发表于 2025-3-27 07:11:16
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突袭
发表于 2025-3-27 12:00:34
Introductioneopold Sédar Senghor, amongst other African writers. Although small, controversial, financially unsuccessful and short lived, the series provides a unique insight into the process of postcolonial literary production and transnational cultural relations.
ANTE
发表于 2025-3-27 17:03:16
The Vision for OUP in Africat: a combination of a vision of a ‘greater Africa’ and a ‘sound business proposition’. This chapter examines how Parnwell’s cultural and economic strategy unfolded in South Africa and in the African colonies in the twentieth century, and examines how OUP’s strategy was modified in the postcolonial period.
fetter
发表于 2025-3-27 19:39:33
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完整
发表于 2025-3-27 23:08:34
tween African writers and British publishers, and importance of the African market. It analyses the historical, political and economic conditions framing the emergence of postcolonial literature.978-1-137-54618-0978-1-137-32838-0
PHAG
发表于 2025-3-28 05:32:57
Alan V. Stewart,Nicholas W. Ellisone by substituting relationships with the British colonial authorities with new relationships with the African political elite and with the examination boards in East and West Africa. In South Africa the strategy of publishing for Bantu Education closely paralleled the strategy of publishing for Native Education in the African colonies.
FEMUR
发表于 2025-3-28 09:59:22
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关节炎
发表于 2025-3-28 12:38:12
Igor G. Loskutov,Howard W. Rineseopold Sédar Senghor, amongst other African writers. Although small, controversial, financially unsuccessful and short lived, the series provides a unique insight into the process of postcolonial literary production and transnational cultural relations.