Vsd168 发表于 2025-3-28 15:14:37
https://doi.org/10.1007/978-3-540-37639-2round it. Pointing to antagonisms by way of which Etsy emphasizes its alternative-economic character, this paper offers actor-centered perspectives and shows how discursively produced ideal worlds are appropriated in everyday life.镇痛剂 发表于 2025-3-28 20:18:47
http://reply.papertrans.cn/24/2393/239270/239270_42.png跳脱衣舞的人 发表于 2025-3-28 23:57:47
http://reply.papertrans.cn/24/2393/239270/239270_43.png花争吵 发表于 2025-3-29 06:13:49
https://doi.org/10.1007/978-3-540-37639-2 activity. Summarising the perspective of this book and the contributions within it, this chapter highlights the key aspects of crafting addressed by the case studies within this book and advocates for interdisciplinary discourse and interpretative models for investigating and understanding craft activity.Nutrient 发表于 2025-3-29 09:51:50
http://reply.papertrans.cn/24/2393/239270/239270_45.png使成核 发表于 2025-3-29 12:00:30
https://doi.org/10.1007/978-3-540-37639-2is enacted using the case studies of embroidery skills used for the renegotiation of gender. As such, the use of skills, their connotations and embodiment, will be the objects of our focus to argue that acts of transformation are a force by which this nostalgia can be negotiated in order to be moulded to fit with current needs and desires.类型 发表于 2025-3-29 18:55:29
http://reply.papertrans.cn/24/2393/239270/239270_47.png开头 发表于 2025-3-29 22:49:41
Crafts and Living History: Old Sturbridge Villagehe museum’s extensive collection of nineteenth-century New England material culture. Like any living thing, OSV continues to change and evolve, but historic crafts have always been a core part of its identity and a major attraction for visitors.ADAGE 发表于 2025-3-30 03:46:41
http://reply.papertrans.cn/24/2393/239270/239270_49.pngdefendant 发表于 2025-3-30 06:25:29
Mapping Etsy: Reflections on (Spatial) Relations in an E-Commerce for Handmade Thingsround it. Pointing to antagonisms by way of which Etsy emphasizes its alternative-economic character, this paper offers actor-centered perspectives and shows how discursively produced ideal worlds are appropriated in everyday life.