HBA1C
发表于 2025-3-21 17:48:58
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未开化
发表于 2025-3-21 21:56:13
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mendacity
发表于 2025-3-22 04:18:23
Ethics and Reproductive Biologyt in itself, a unit in which the effect is often disproportionate to the cause. There is seldom a climax concentrated in one place; rather it is spread out or as in ., multiplies (he is twice tried, defended and judged in Act .). There are also rules which govern the last scene (justice, pronounceme
笨重
发表于 2025-3-22 07:25:51
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jumble
发表于 2025-3-22 09:05:09
Refusal of Psychiatric Treatmentbut they are not contemptible early in the play. In Act ..iii ‘Enter seven or eight citizens’. This is not a mob but different people who discuss a situation and have different points of view. They are courteous. They put up with Coriolanus’ insolence and mockery. They discuss the situation and then
Ethics
发表于 2025-3-22 13:08:43
Refusal of Psychiatric Treatment the right thing in a way that convinces us that moderation is wrong? ‘We are come off/like Romans, neither foolish in our stands/Nor cowardly in retire’ [..vi–xiii]. He might be right; but I want to be on Coriolanus’ side in any battle. As Cominius pontificates, Coriolanus enters covered with blood
Ethics
发表于 2025-3-22 17:28:21
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流浪者
发表于 2025-3-23 00:21:22
Refusal of Psychiatric Treatmentally accepted that the late Renaissance thought by analogies and constructed works of art with double plots, reflectors, multiple symbols and perspectives. There is a recognisable historical style by which to read . which corresponds to our notion of openness, decentredness, and post-modernism. It i
Recessive
发表于 2025-3-23 02:19:53
Women in Medical Schools and Academia, new liberties with the iambic pentameter and syntax. There is a further questioning, even a deconstruction of the tragic. Perhaps most significant, acting, directing, writing scripts for others, is treated here as both normal to society and evil. The theatre and language seem to bring destruction.
kyphoplasty
发表于 2025-3-23 05:42:50
Women in Medical Schools and Academia,back on a possible devil theory of evil. Richard III and Iago are in part traditional vice characters. Iago gives many explanations for his conduct but he is finally someone whose malcontentedness seems devilish rather than of human origins.