mortality 发表于 2025-3-21 17:51:18

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GOAD 发表于 2025-3-21 20:43:05

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红肿 发表于 2025-3-22 01:35:53

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considerable 发表于 2025-3-22 07:40:33

American Copyright and Common Lawrk is published or in the form of a manuscript, not yet revealed to the public, although the place of publication may be relevent. . In the United States authors had rights in their . works prior to the passage of any legislation by Congress providing for uniform nation-wide protection. . This can b

虚假 发表于 2025-3-22 11:17:11

Public Performance of Music in the United Statesugh the performance is not for profit. Nevertheless, the public performance right in music was not included in the . until 1897. If, prior to that date, an author secured copyright in a musical composition he relinquished the right to control public performances. In the Copyright Act of 1909 the 189

手榴弹 发表于 2025-3-22 16:07:09

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手榴弹 发表于 2025-3-22 18:16:34

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GUILE 发表于 2025-3-22 21:13:00

https://doi.org/10.1007/978-94-015-0509-3Europe; Film; broadcasting; consent; constitution; contract; contracts; jurisprudence; law; production; publis

excrete 发表于 2025-3-23 02:56:35

978-94-015-0037-1Martinus Nijhoff, The Hague, Holland 1954

反叛者 发表于 2025-3-23 05:45:51

Building a Workflow with Visual Studio 2005The examination of several copyright acts and performing right societies indicates that there are marked differences (as well as similarities) between the law and practice in the United States and Europe as well as among the European countries.
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查看完整版本: Titlebook: Copyright and Public Performance of Music; Stanley Rothenberg Book 1954 Martinus Nijhoff, The Hague, Holland 1954 Europe.Film.broadcasting