exhibit
发表于 2025-3-23 12:42:50
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座右铭
发表于 2025-3-23 17:05:56
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无表情
发表于 2025-3-23 18:09:31
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Genistein
发表于 2025-3-24 00:35:51
and the Agnostic Crises of FaithThe concept of the . or public space is shifting and elusive. It lacks a clear and permanent identity and instead reflects a Deleuzian ‘becoming’. Art historian Patricia Phillips writes:
关节炎
发表于 2025-3-24 05:37:46
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头脑冷静
发表于 2025-3-24 06:37:06
Book 2013Street theatre invades a public space, shakes it up and disappears, but the memory of the disruption haunts the site for audiences who experience it. This book looks at how the dynamic interrelationship of performance, participant and place creates a politicized aesthetic of public space that enables the public to rehearse democratic practices.
Endearing
发表于 2025-3-24 11:16:59
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Mercantile
发表于 2025-3-24 17:13:45
978-1-349-30585-8Palgrave Macmillan, a division of Macmillan Publishers Limited 2013
不容置疑
发表于 2025-3-24 20:17:50
Introduction: Aesthetics and Politics of Street Arts Interventions,ence it. The artists seek to interrupt daily life, startle onlookers with an inversion of a familiar place and quotidian activities, and test the limits of what they can do in public and what they can encourage the public to do. The artists do not try to hide or erase the everyday world that encases
沙漠
发表于 2025-3-24 23:56:58
Looking Back: A Socio-Historical and Intellectual Context for Contemporary Street Arts in Europe,es, miracles and morality plays; royal entries of the Renaissance; itinerant commedia dell’arte troupes; .; showmen exhibiting anything out of the ordinary from religious relics to freaks of nature throughout the centuries; and the popular entertainments of the great fairs, like Bartholomew Fair and