我不重要
发表于 2025-3-26 22:47:17
Gerald Tomas,Christoph W. Ueberhuber crisis” which has given renewed visibility to liminal spaces while reviving colonial representations of subversive otherness. Marked by violent geographies of exclusion that are notably expressed through animalising metaphors, the Calais “Jungle” appears as a space of exception that conjures up the
Organonitrile
发表于 2025-3-27 02:30:00
https://doi.org/10.1007/978-3-031-47831-4Forced Migration; Europe; Refugees; Detention; Visual Culture; Media
machination
发表于 2025-3-27 09:02:59
978-3-031-47833-8The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
PATHY
发表于 2025-3-27 10:28:35
Contemporary Representations of Forced Migration in Europe978-3-031-47831-4Series ISSN 2524-8820 Series E-ISSN 2524-8839
HAVOC
发表于 2025-3-27 17:23:57
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鞠躬
发表于 2025-3-27 17:49:46
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surrogate
发表于 2025-3-28 01:05:32
Distributed memory IDeC methods, in George Drivas’s .; colonial mimicry with a twist in Mohau Modisakeng’s .; a self-conscious re-packaging of refugees’ stories in Candice Breitz’s .; and, finally, an unmarked artefact, which completely collapses the very possibility of narrative in Christoph Büchel’s ..
defenses
发表于 2025-3-28 03:24:00
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probate
发表于 2025-3-28 10:12:17
Unsettled: Narrative Strategies in Exhibitions About the ‘Refugee Crisis’ in George Drivas’s .; colonial mimicry with a twist in Mohau Modisakeng’s .; a self-conscious re-packaging of refugees’ stories in Candice Breitz’s .; and, finally, an unmarked artefact, which completely collapses the very possibility of narrative in Christoph Büchel’s ..
打算
发表于 2025-3-28 11:05:35
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