reperfusion
发表于 2025-3-25 05:40:09
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ASSET
发表于 2025-3-25 08:55:58
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MAOIS
发表于 2025-3-25 14:57:08
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平躺
发表于 2025-3-25 18:44:09
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MOTTO
发表于 2025-3-25 23:03:44
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Basilar-Artery
发表于 2025-3-26 02:29:41
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GUILE
发表于 2025-3-26 06:58:15
Introduction,ork for the project. Understandings of emotion and dance in common discourse within dance practice are discussed, together with terms such as emotion and mood. All these are found to be inadequate to describe the experiences of emotion in contemporary theatre dance. The chapter further discusses the
敬礼
发表于 2025-3-26 09:40:23
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乐器演奏者
发表于 2025-3-26 16:33:06
,Case Study 1: Melancholy Spirals in Russell Maliphant’s , (2009): Emergence, Expressiveness, and Empect of a work of dance, and how there is no need to access narrative in full in order to perceive a sense of emotion. This work is characterised as melancholy, poignant, and offering up examples of sadness and vulnerability, emotional import which is correlated to the perceptual properties of the w
精致
发表于 2025-3-26 18:59:13
,Case Study 2: The Poignant Tensions of Crystal Pite’s , (2009): Embodiment, Enaction, and Emotion, import can still be correlated with the perceptual properties of the work. A link is proposed between the idea of tension, the physical sense of tension, the shared rhythm of all the perceptual properties analysed, and the powerful poignancy that emerges through the work. The chapter discusses noti