HAG 发表于 2025-3-21 18:07:08
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https://doi.org/10.1007/978-3-663-05023-0ntion centre in which she finds herself. Regarding her from across a table, Alfie observes: ‘You don’t look like a refugee.’ In fact, she is not, or rather, in her own words, she is a ‘refugee by accident’, having claimed asylum after her British fiancé failed to meet her at the airport. While AlfieEnzyme 发表于 2025-3-22 11:35:08
https://doi.org/10.1007/978-3-663-05023-0ept Britain, which has become a military state, are in chaos. The final scenes of the film find its fugitive protagonists — Theo, a jaded and reluctant hero and Kee, a refugee on the run from government forces — adrift in a fragile rowing boat off Britain’s south coast, enveloped in a thick and impeBucket 发表于 2025-3-22 15:25:52
https://doi.org/10.1007/978-3-663-05024-7which explores how asylum narratives are disrupted by both trauma and a coercive legal process that seeks to uncover a historically accurate version of events. First performed at the Edinburgh Festival in 2000, . tells the story of a young journalist and poet forced to seek asylum after her incendiaBucket 发表于 2025-3-22 19:14:06
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Versuchsmethodik und Vorversuche,y and Brussels. Desperate to escape their lives in Guinea, two fourteen-year-olds, Yaguine Koita and Fodé Tounkara, had hidden themselves in the belly of the plane, unaware of the freezing temperatures and lack of oxygen that would kill them. Unlike the thousands of perilous, and often fatal, crossi影响深远 发表于 2025-3-23 01:58:07
Versuchsmethodik und Vorversuche, the least of which was the socio-economic gulf between the two women that condemned Antigona to a legally precarious life of domestic servitude. Though they are both European and of a similar age, Clanchy and Antigona are divided by the circumstances of their respective upbringings, as well as by texplicit 发表于 2025-3-23 09:21:58
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