决绝
发表于 2025-3-21 19:34:16
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Irritate
发表于 2025-3-22 00:08:37
The Sound of a Voice: David Hwangtion and commercial success. With the successful London production of the play in 1989, this recognition has been replicated internationally. In an era in which the imaginative authority of drama has clearly waned (on Broadway in particular the playwright is an endangered species), Hwang’s artistic
积习难改
发表于 2025-3-22 03:20:02
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Accede
发表于 2025-3-22 07:36:00
Contemporary American Dance Theatre: Clarke, Goode and Manntary), character, expressive costumes, décor, lighting, music and language; in fact, they use whatever materials serve to express the feeling of living in their culture. Is it any wonder that much of their work expresses violence in one form or another?
违反
发表于 2025-3-22 09:26:14
Bruce King (co-editor of the Modern Dramatists ser
SPECT
发表于 2025-3-22 13:35:44
https://doi.org/10.1007/978-3-663-04416-1tory informs us, however, despite the auspicious beginnings of . feminist political solidarity and artist accomplishment, not the least of which was Zona Gale’s 1921 Pulitzer for .,. the strong, articulate and united voice of American women dramatists did not endure and increase, but rather modulate
SPECT
发表于 2025-3-22 20:01:39
https://doi.org/10.1007/978-3-663-04418-5tion and commercial success. With the successful London production of the play in 1989, this recognition has been replicated internationally. In an era in which the imaginative authority of drama has clearly waned (on Broadway in particular the playwright is an endangered species), Hwang’s artistic
冷淡一切
发表于 2025-3-22 22:41:26
https://doi.org/10.1007/978-3-663-04421-5ty and vaudeville, often verging on revue and incorporating a range of performing specialities, with few serious musical demands being made on its popular stars. Even with the supposedly innovative Rodgers and Hammerstein musical .! (1943), hailed as a break with musical formulas of the past, howeve
就职
发表于 2025-3-23 05:02:23
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隐语
发表于 2025-3-23 08:48:26
Introductioneel it is already time for another examination of the directions drama and alternative forms of theatre have been taking in recent years. There is enough justification for a book in the increasing importance of Richard Nelson, Emily Mann, Christopher Durang, August Wilson, Stephen Sondheim, David He