Cupidity
发表于 2025-3-23 10:58:21
Book 2020ip and colonial guilt at their core. The critical analysis covers a broad range of dance choreography by artists from the Democratic Republic of Congo, Ivory Coast, South Africa, Canada, Europe, and the US as they travel, create, and show their works internationally to global audiences to contest racial divides and white supremacist politics. .
官僚统治
发表于 2025-3-23 14:48:36
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激怒某人
发表于 2025-3-23 19:31:14
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急急忙忙
发表于 2025-3-23 22:28:31
White Supremacy, Necropolitics and Anti-Capitalist Dance,), Frank Edmond Yao’s .-. (2005) in collaboration with Gintersdorfer/Klassen, and Gregory Maqoma’s solo performance . (2011), the chapter further explores the way in which contemporary African dance theatre aesthetics make a powerful statement against global capitalist necropolitics.
国家明智
发表于 2025-3-24 03:56:49
Mistaken Identity: Deconstructing White Beauty and Gender Politics,t race and gender become apparent. The chapter argues that identity politics today cannot be considered separately from racial discourses surrounding aesthetics, representation, and the dominance of the white gaze in a global media culture.
失望未来
发表于 2025-3-24 09:01:20
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Arable
发表于 2025-3-24 13:38:01
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barium-study
发表于 2025-3-24 18:01:45
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objection
发表于 2025-3-24 19:42:04
https://doi.org/10.1007/978-3-662-68329-3ugh a direct confrontation of the white gaze. The book concludes with a few summarizing remarks on the way phenomenology supports the deconstruction of the white gaze through aesthetic modes of un-suturing across the different examples discussed throughout the chapters of the book.
Ccu106
发表于 2025-3-25 00:14:31
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