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书目名称Constitutions of Self in Contemporary Irish Poetry影响因子(影响力)<br> http://impactfactor.cn/2024/if/?ISSN=BK0235896<br><br> <br><br>书目名称Constitutions of Self in Contemporary Irish Poetry影响因子(影响力)学科排名<br> http://impactfactor.cn/2024/ifr/?ISSN=BK0235896<br><br> <br><br>书目名称Constitutions of Self in Contemporary Irish Poetry网络公开度<br> http://impactfactor.cn/2024/at/?ISSN=BK0235896<br><br> <br><br>书目名称Constitutions of Self in Contemporary Irish Poetry网络公开度学科排名<br> http://impactfactor.cn/2024/atr/?ISSN=BK0235896<br><br> <br><br>书目名称Constitutions of Self in Contemporary Irish Poetry被引频次<br> http://impactfactor.cn/2024/tc/?ISSN=BK0235896<br><br> <br><br>书目名称Constitutions of Self in Contemporary Irish Poetry被引频次学科排名<br> http://impactfactor.cn/2024/tcr/?ISSN=BK0235896<br><br> <br><br>书目名称Constitutions of Self in Contemporary Irish Poetry年度引用<br> http://impactfactor.cn/2024/ii/?ISSN=BK0235896<br><br> <br><br>书目名称Constitutions of Self in Contemporary Irish Poetry年度引用学科排名<br> http://impactfactor.cn/2024/iir/?ISSN=BK0235896<br><br> <br><br>书目名称Constitutions of Self in Contemporary Irish Poetry读者反馈<br> http://impactfactor.cn/2024/5y/?ISSN=BK0235896<br><br> <br><br>书目名称Constitutions of Self in Contemporary Irish Poetry读者反馈学科排名<br> http://impactfactor.cn/2024/5yr/?ISSN=BK0235896<br><br> <br><br>中止 发表于 2025-3-21 22:53:20
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,From Liquid Fear to Dull Love: Nick Laird’s ,ord-savvy, punning riddles, even if Laird’s lighthearted attitude is shot through with a sense of disillusionment with modern life. For Laird evokes a world in which nothing can be taken for granted: neither God nor love, nor history, personal of national, offer a stable point of reference.初学者 发表于 2025-3-22 21:53:16
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2731-3182 t distinctive features of Irish poetry.Brings out aspects of.Constitutions of Self in Contemporary Irish Poetry. explores the figure of the lyrical self in the work of six contemporary Irish poets: Paul Muldoon, Vona Groarke, Sinéad Morrissey, Caitríona O’Reilly, Alan Gillis and Nick Laird. By focusHumble 发表于 2025-3-23 07:11:35
Uncertainty Quantification with Rwhat he called the machinist age. By the mid-1930s, he came to recognise in the work of T. S. Eliot, Ezra Pound, W. H. Auden and the poets he associated with them the recurrent insistence on objectivity and impersonality.