apropos
发表于 2025-3-23 11:54:38
https://doi.org/10.1007/978-0-230-00059-9ravelling band, and Schomberg’s parody of a hotel—Heyst’s courtesy and delicacy stand as a vestige of an older tradition. But his manners and formality also serve as a barrier not only to reaching a complete understanding with Lena, but also to contending with the forces of economic barbarism—Jones,
托人看管
发表于 2025-3-23 16:07:13
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exhilaration
发表于 2025-3-23 19:40:24
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首创精神
发表于 2025-3-23 22:43:33
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Serenity
发表于 2025-3-24 06:14:30
Victory,ravelling band, and Schomberg’s parody of a hotel—Heyst’s courtesy and delicacy stand as a vestige of an older tradition. But his manners and formality also serve as a barrier not only to reaching a complete understanding with Lena, but also to contending with the forces of economic barbarism—Jones,
isotope
发表于 2025-3-24 08:00:19
The Rover,ould recognise a kinship with a forceful, competent, shrewd but not intellectual hero. Conrad’s artistic economy is appropriate for the barely verbal and unself-conscious characters of .. For example, the voice sometimes seems to be an articulate version of Peyrol; the style deliberately eschews the
准则
发表于 2025-3-24 14:15:46
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Prostatism
发表于 2025-3-24 15:04:43
The short story as romance,ption in which he eschews moral and psychological subtlety. The tales published in . (1915)—’The Inn of the Two Witches: A Find’, ‘The Partner’, The Planter of Malata’ and ‘Because of the Dollars’—possess the quality neither of Conrad’s great short stories nor even of the lesser novels of the later
经典
发表于 2025-3-24 22:07:27
,Conrad’s later novels,ies, as if they belonged to a different genre from his previous work. Thematically, they have been seen as symptoms of Conrad’s inability to deal with love and sexuality on a mature level. While not ignoring differences between these novels and his prior work, I shall stress the biographical, themat
转换
发表于 2025-3-25 02:17:58
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