Recovery 发表于 2025-3-21 18:28:55
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(Re)Visualizing History in Toni Morrison’s rature for its role in this process of erasure, suggesting that though “the major and championed characteristics of our national literature” are “responses to a dark, abiding, signing Africanist presence” (5), “in matters of race, silence and evasion have historically ruled literary discourse” (9).牵连 发表于 2025-3-22 02:26:57
Transforming Culture and Consciousness in Bobbie Ann Mason’s ng mall… they’re looking at deliverance from a hard way of life” (“Bobbie Ann Mason’s Border States”). Though Mason does not judge her characters, or readers, for being attracted to popular and consumer culture, she does seek to help them develop a critical perspective with which to evaluate the posmaroon 发表于 2025-3-22 04:34:29
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The Politics of Vanishingor the other writers included in . because, as a writer of mixed German American and Ojibwe descent,. Erdrich offers a perspective that reflects her experiences with both cultures. She has described herself as “on the edge” (. 111), and David Stirrup asserts that “written from this place, Erdrich’sgalley 发表于 2025-3-22 14:39:11
http://reply.papertrans.cn/24/2355/235452/235452_6.pnggalley 发表于 2025-3-22 18:42:54
Conclusion Confronting Visuality in the Digital Ageodels of spectatorship that did not take into account differences between women based on race and sexuality. As bell hooks asked incredulously in 1992, “Are we really to imagine that feminist theorists writing only about the image of white women, who subsume this specific historical subject under thPrologue 发表于 2025-3-22 21:29:13
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Ioana Goganau MD,Armin Blesch PhDs intensive engagement with visuality, however, women’s very real social and political gains have been met with a “postfeminist sensibility” in the media that draws on feminist ideas and rhetoric but frequently puts these to the service of decidedly antifeminist aims and representations (Gill 247)..