Iatrogenic
发表于 2025-3-27 00:01:10
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性学院
发表于 2025-3-27 03:57:14
The Cognitive Framework for Information, applied wherever new things come into existence. In this chapter I propose that in order to unify various forms of creativity it is necessary to consider a distinction between two types of creativity: generative creativity, in which things are created as the result of a process regardless of their
MUMP
发表于 2025-3-27 08:54:37
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Offensive
发表于 2025-3-27 12:20:12
Evaluation of Creative Aestheticse, David Brown, Jon McCormack, Paul Brown and Philip Galanter. It began at the Dagstuhl seminar on computers and creativity, held in Germany in 2009 and continued over a period of several months via email. The participants discuss their views on the prospects for computational evaluation of both the artistic process and the made artefact.
cipher
发表于 2025-3-27 16:25:21
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即席演说
发表于 2025-3-27 19:23:15
978-3-642-43329-0Springer-Verlag Berlin Heidelberg 2012
innate
发表于 2025-3-27 21:59:45
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秘传
发表于 2025-3-28 05:48:55
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FOVEA
发表于 2025-3-28 10:05:04
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Constant
发表于 2025-3-28 10:26:47
Construction and Intuition: Creativity in Early Computer Artome material, it is the algorithm that takes on the role of the material in algorithmic art. Thus, creativity has become relative to semiotic situations and processes more than to material situations and processes. A small selection of works from the history of algorithmic art are used for case studies.