Harding 发表于 2025-3-21 18:46:50

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责任 发表于 2025-3-21 23:25:50

,Philip Roth’s Zuckerman Novels as a Comic “Künstler-Roman”,ultural environment of the contemporary media age; but the comparison does set the tone for the comic confusions experienced by ., the writer-hero of Roth’s own version of an artist’s life. Zuckerman’s existence as a writer is a prolonged struggle for honour — a struggle that seems doomed to perpetu

commune 发表于 2025-3-22 02:36:41

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acrobat 发表于 2025-3-22 07:30:03

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Obliterate 发表于 2025-3-22 12:43:19

Book 1994 by a defined point of view. " (Karl: 27) Such assessments of course challenge my view that the comic is in significant ways connected with what is innovative in postmodernist US-American fiction. Yet the term comic -or related terms like humour, parody, irony and so fort- is regularly and heavily e

弓箭 发表于 2025-3-22 16:50:28

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弓箭 发表于 2025-3-22 19:38:38

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猛烈责骂 发表于 2025-3-22 21:39:22

Robert Coover and the Comedy of Good and Bad Sport,g, which he ‘discovered’ as a student, in these words:.Though Coover’s lines try to recapture the enthusiasm of first discovery, some of the qualities they attribute to Beckett’s works have nevertheless become constants in his own writing.

Interlocking 发表于 2025-3-23 02:32:53

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Orchiectomy 发表于 2025-3-23 08:43:21

https://doi.org/10.1007/978-3-0348-7746-6fiction; humour; idea; irony; mockery; parody; time; writing
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查看完整版本: Titlebook: Comic Sense; Reading Robert Coove Thomas Pughe Book 1994 Springer Basel AG 1994 fiction.humour.idea.irony.mockery.parody.time.writing