CANTO 发表于 2025-3-21 18:56:19
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Of Monsters and Men: The Power of Female Imagination in r lack of a more precise alternative, the genre has mainly been defined in very general terms, by way of its length, its content, and its effect: All fabliaux are short (ranging from eighteen lines to approximately twenty printed pages), they are mostly sexual or scatological in theme, and they are权宜之计 发表于 2025-3-22 06:58:00
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: The Scatological Tales of the Fabliauxn their sexual conservatism; indeed, they are comparatively puritanical in their non-discussion of sex. Further, these fecal-minded tales—which are generally “cort et petit” (6.57.4, “brief and short,” as one fabliau describes a turd)—possess few of the corpus’s familiar motifs, such as the humorousANTH 发表于 2025-3-22 16:33:28
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Conflicting Economies in the Fabliaux), . (5.51), and . (3.18) register a conflict among different modes of economic organization—gift, barter, and money economies. The conflict among these different models in turn helps explain what can often seem to be unmotivated acts in fabliau plots. More importantly, these different models of eco悲痛 发表于 2025-3-22 22:34:07
Mobility and Resentment in a World of Flux: Arrogance in the Old French Fabliaux. Shifts of such a magnitude have not been seen since the cataclysms of Late Antiquity and remained without match for centuries to come. The key word was .. Nothing was stable, opportunities abounded for those willing to seize them, and the Western world was wide open to a reconceptualization of the解决 发表于 2025-3-23 05:21:32
“Be Careful What you Wish for”: Folkloric Caution in the Fabliauxning words of folk wisdom from my mother: “If wishes were horses, we’d all take a ride.” Her words implied that wishing was in some way inappropriate, for if wishes were easily granted, we could all “goof off.” At a deeper level, my mother communicated the concept that wishing could approach covetouNOCT 发表于 2025-3-23 07:42:17
Chaucer’s French Accent: Gardens and Sex-Talk in the ucer’s . must have had a French fabliau source, now lost to us.. John Webster Spargo in his introductory note to the tale in the original . gave that theory the weight of authority with this opening comment: “In the absence of an authentic source, the likeliest thing that can be said is that, if we