协议
发表于 2025-3-28 18:32:22
After Salzmann: Thoughts on Humour, Erasure, Photography and Palestineor multiple markets. These photographic practices were broad, ranging from popular images focusing on well-known biblical themes to scholarly imaging practices that aimed to highlight the Biblical past in disciplines like archaeology and anthropology. The interaction between imaging for scholars and
heartburn
发表于 2025-3-28 20:35:38
http://reply.papertrans.cn/24/2302/230134/230134_42.png
容易做
发表于 2025-3-29 00:38:36
http://reply.papertrans.cn/24/2302/230134/230134_43.png
不要不诚实
发表于 2025-3-29 04:17:56
Making ‘Funny’ Art During the Greek Crisis … So What? in crisis’. Investigating how humour might intervene in the instrumentalisation of political, social and national clichés, Chiavara’s practice sheds light on how essentialised stereotypes became consumable commodities both within and beyond Greece’s borders during the European economic crisis. Focu
CURL
发表于 2025-3-29 09:58:55
Positioning Humour Within Indigenous Paradigms: An Interview with Richard Bellsitions the work of artist within Indigenous paradigms. Informed by Bell’s claim of being an ‘activist masquerading an artist’, Flynn’s interview uncovers how ontological and axiological praxes of communal responsibility are demonstrated in Bell’s work, where humour is weaponised to challenge issues
引水渠
发表于 2025-3-29 13:33:55
http://reply.papertrans.cn/24/2302/230134/230134_46.png
arbovirus
发表于 2025-3-29 15:58:35
Art as Archive: Subversive Humour and Authenticity in Brazilian Artnymous cultural participation that challenges government practices. Tracing the legacy and ongoing impact of humour in Brazilian art, Carvalho argues that shifts in artistic practices (particularly in relation to the archive) have continued to play a subversive role in a time of political unrest. Dr
空气
发表于 2025-3-29 23:44:01
http://reply.papertrans.cn/24/2302/230134/230134_48.png
CYN
发表于 2025-3-30 03:48:52
Is Art a Means of Resistance in Times of Global Crisis?: Far-Right, Humour and Street Art in Today’sen promoted by mainstream far-right parties with the support of neo-fascist organisations over the last decade. Matteo Salvini, the former Deputy Prime Minister (2018–2019), and Giorgia Meloni, the current Prime Minister (elected in 2022), have become the main spokespersons for an Italian far-right
TEM
发表于 2025-3-30 07:00:41
Book 2023vation and reception of humour in diverse contemporary art contexts. Drawing together research by artists, theorists, curators, and historians from around the world (from Palestine, to Greece, Brazil, and Indigenous Australia), it provides new insight into how humour is weaponised in contemporary ar