免除责任
发表于 2025-3-23 12:19:24
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Stress-Fracture
发表于 2025-3-23 16:23:31
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退出可食用
发表于 2025-3-23 22:00:57
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过剩
发表于 2025-3-24 01:22:28
The Emergence of the Modern Subject in Oriya and Assamese Literatures: Fakir Mohan Senapati and Hemcdies of nineteenth-century Indian literature. The “modernity” that has been defined in terms of the emergence of a sharp critical self, which seeks to expose the weaknesses in traditional social structures, has often been seen as the manifestation of the western Enlightenment. The emergence of the m
纬线
发表于 2025-3-24 03:08:53
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分贝
发表于 2025-3-24 09:56:17
“Why Don’t You Speak?”: The Narrative Politics of Silence in Senapati, Premchand, and Monica Ali: as a wily landowner, a neglectful husband, and a ruthless acquirer of the eponymous chunk of land, Mangaraj has, in fact, no interest in what his wife has to say. Nevertheless, his rhetorical questions speak to a larger concern in the narrative politics of . and of fictional texts in general. Whil
Esophagus
发表于 2025-3-24 13:17:30
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高度
发表于 2025-3-24 18:04:53
The Tradition-Modernity Dialectic in ,1), revisits one of the most popular themes in his writings, namely the tension between acquired modernity and inherited tradition. In a few deft brushstrokes he traces the rise of a man to a position of wealth and eminence and the fall of his only son to a state of penury and disgrace. The father,
高尔夫
发表于 2025-3-24 21:47:33
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PAC
发表于 2025-3-25 00:48:00
https://doi.org/10.1057/9780230118348colonialism; dialectic; gender; girls; novel; politics; women; area studies