Haphazard 发表于 2025-3-27 00:53:46
The ,, wheel of interconnecting opposites—a fractured identity always transforming, and a rejection of “tradition” as a static Mexican-Americanness. Chicana feminist thought connects images of wholeness to a healing, interconnecting sense of representation that allows them to transcend narrow understandings of self and culture.珍奇 发表于 2025-3-27 03:05:50
Conclusion: Interrelationality, postnationalism, transnation, and trans-Americanity, and its interconnections with communal expression and identity, allow for new cultural expressions where Chicana/o . becomes a source for empowerment in the new century.BOOST 发表于 2025-3-27 06:13:14
http://reply.papertrans.cn/23/2296/229573/229573_33.pnganticipate 发表于 2025-3-27 11:32:03
http://reply.papertrans.cn/23/2296/229573/229573_34.png神刊 发表于 2025-3-27 15:25:27
http://reply.papertrans.cn/23/2296/229573/229573_35.png人类的发源 发表于 2025-3-27 19:59:01
http://reply.papertrans.cn/23/2296/229573/229573_36.pngExplosive 发表于 2025-3-28 01:30:24
Culture as Resistance,ution with the Mexican-Americanness recreated by Chicana/o autobiographies. These works depict the Mexican-American experience as a space in between and across cultures, but they also place the struggle for culture (as an “unfamiliar” element) within the definition of family itself.muscle-fibers 发表于 2025-3-28 04:40:41
Making , from Scratch,unities are seen as integral to the rewriting of Mexican-Americanness and offer her crossings as a way of recreating a new .. Lourdes Portillo brings together self-representation, media, and the wholistic response of Chicana artists to previous versions of family, home, and “evil” imposed on crossinBoycott 发表于 2025-3-28 07:16:24
http://reply.papertrans.cn/23/2296/229573/229573_39.png幼儿 发表于 2025-3-28 10:46:34
Canicular Consciousness,These works propose critical representations of resistance against transnationalism for inclusive notions of family, community, and other forms of collective identity. I analyze issues of self-representation in Garza’s paintings and Cantú’s “story told through photographs,” and their relationship to