抱狗不敢前
发表于 2025-3-23 12:00:14
Jianping Wang,Bin Xiao,Xuanzhe Lius Coleridge later began to formulate and express his mature aesthetics in the years that followed, in . and the lectures on literature, he continued to draw on Schillerian terms and ideas. The abiding presence of Schiller in Coleridge’s work during these years is the subject of this chapter and the next
Atrium
发表于 2025-3-23 17:29:30
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FRAUD
发表于 2025-3-23 21:33:21
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CROW
发表于 2025-3-23 23:48:04
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没花的是打扰
发表于 2025-3-24 04:03:56
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羊齿
发表于 2025-3-24 08:44:30
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破译密码
发表于 2025-3-24 11:35:25
He Zhang,Yueyou Zhang,Shuang Wang,Jixiang Lu lay in the recognition of Schiller’s unique contribution to post-Kantian aesthetics: the extension of Idealism’s formalist preoccupations into the world of action by way of a new anthropology: that man is only fully human when he is ‘at play’.
Lasting
发表于 2025-3-24 16:15:07
British Germanophiles, lay in the recognition of Schiller’s unique contribution to post-Kantian aesthetics: the extension of Idealism’s formalist preoccupations into the world of action by way of a new anthropology: that man is only fully human when he is ‘at play’.
热情赞扬
发表于 2025-3-24 20:33:28
Service Robotics within the Digital Homeparture in the summer of the following year. Schiller’s collaboration with Goethe and the Weimar Court Theatre, then about to begin its most productive stage, passed apparently unobserved. Coleridge, it seems, did not mind.
eulogize
发表于 2025-3-25 01:07:02
He Zhang,Yueyou Zhang,Shuang Wang,Jixiang Lural occasions while in Malta, most likely from memory. This was work he carried on in the notebooks, but some at least of his translations and adaptations he later published, usually (though not always) acknowledging the source.