degradation 发表于 2025-3-28 17:17:07
Yang Dai,Songyun Wang,Xilong Wang,Xin Li even went on and modified them on your own. Perhaps, you felt like going down a rabbit hole and exploring a creative coding topic like curves (points on curves, Bezier curves, etc.), intricacies of randomness and noise, or 3D shaders (think of tiny “texture programs”). When we started this book, we疏远天际 发表于 2025-3-28 21:12:45
Xi Lin,Yiliang Han,Yan Ke,Xiaoyuan Yang book, also as a reflective perspective on what we wrote earlier. We emphasized making over thinking in the first two parts; now it’s finally time to explore the framing of this book. We start with the ideation and look at two different approaches before proceeding with abstraction layers and ways t完全 发表于 2025-3-28 22:56:27
http://reply.papertrans.cn/23/2289/228874/228874_43.pngPageant 发表于 2025-3-29 03:13:56
Babatunde Olabenjo,Dwight Makaroffd lighting, to printing techniques and direct inclusion of machines and code, there are examples of how art broke ground and changed its shape forever. Already before the beginning of the twenty-first century, artists used code and programmed machines to generate art or even be part of it.Collected 发表于 2025-3-29 10:49:43
http://reply.papertrans.cn/23/2289/228874/228874_45.pngcumulative 发表于 2025-3-29 13:51:54
Xi Lin,Yiliang Han,Yan Ke,Xiaoyuan Yang book, also as a reflective perspective on what we wrote earlier. We emphasized making over thinking in the first two parts; now it’s finally time to explore the framing of this book. We start with the ideation and look at two different approaches before proceeding with abstraction layers and ways to shift technical perspectives within our work.Outspoken 发表于 2025-3-29 17:33:28
https://doi.org/10.1007/978-1-4842-9780-3Creative Computation; Creative Coding; Processing Software; Computing Art; Visual Art; Interactivity; ArtGrating 发表于 2025-3-29 22:25:10
http://reply.papertrans.cn/23/2289/228874/228874_48.pnglibertine 发表于 2025-3-30 02:23:42
Introduction,d lighting, to printing techniques and direct inclusion of machines and code, there are examples of how art broke ground and changed its shape forever. Already before the beginning of the twenty-first century, artists used code and programmed machines to generate art or even be part of it.