锡箔纸
发表于 2025-3-25 04:34:32
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judicial
发表于 2025-3-25 10:43:54
Florence ImpensInvites scholars to reappraise the ways in which the dynamics of the contemporary Irish poetic scene have often been read.Places close readings of key poems within the broader context of the poets’ ca
blithe
发表于 2025-3-25 13:45:38
The New Antiquityhttp://image.papertrans.cn/c/image/227124.jpg
易改变
发表于 2025-3-25 17:49:06
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疏远天际
发表于 2025-3-25 23:27:30
978-3-319-88567-4The Editor(s) (if applicable) and The Author(s) 2018
雪上轻舟飞过
发表于 2025-3-26 01:25:01
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NAV
发表于 2025-3-26 04:47:56
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外星人
发表于 2025-3-26 09:29:29
,Michael Longley: The ‘Lapsed Classicist’,by a detailed attention to the original text absent from Heaney’s, there are also striking parallels in their respective uses of Greek and Latin literatures. Like Heaney with Virgil, Longley in the early 1990s turned to Homer, the author who had been a favourite of his in his adolescence, and rewrot
Strength
发表于 2025-3-26 12:58:26
Derek Mahon and Eavan Boland: Marginal Perspectives, late twentieth century. Unlike Seamus Heaney and Michael Longley, neither Mahon nor Boland can be considered as ‘classical poets’. Both however, and despite producing very different bodies of work, have re-appropriated classical material over the course of their career to articulate their sense of
hypnogram
发表于 2025-3-26 19:17:11
,A Classical ‘Revival’?,e ‘classical revival’ in the 1990s. Discussing the work of Peter Fallon, Peter McDonald, and Theo Dorgan, it suggests that while younger poets too have drawn from ancient Greece and Rome, the ‘classical turn’ in Irish poetry may now have passed. Reading classical poems as part of the poets’ wider en