摩擦 发表于 2025-3-21 18:06:26

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Ibd810 发表于 2025-3-21 20:57:24

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可触知 发表于 2025-3-22 01:51:49

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收养 发表于 2025-3-22 06:55:56

,‘A Company That Go the Course’,ed to magic and witchcraft. As in the previous chapter, this one mainly tracks words related to the classical .: . and . populate French medieval literature, which most resisted the diffusion of classical authors like Ovid and Apuleius. Nonetheless, classical culture had a formative impact on Italia

upstart 发表于 2025-3-22 11:04:10

,‘Let’s Send Up Some Incense to the Lord!’,ers of his time, is the main focus of this chapter. I examine these men’s contribution to the revival of the classical image of .. The efficacy of preachers in modifying collective perceptions of the nature of witchcraft was catalysed in Italy by lingering popular memories of ancient ., as is shown

nonplus 发表于 2025-3-22 13:32:24

The Italian Quattrocento,rugia. Where Bernardino of Siena and the others, with their classical educations, formed an image of the witch drawing on the vivid descriptions of . in Ovid, Petronius and Apuleius, the transposition of literary . into the trials led to a different set of assertions. Some features of those accused

nonplus 发表于 2025-3-22 18:11:47

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水土 发表于 2025-3-23 00:07:58

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邪恶的你 发表于 2025-3-23 01:34:10

Classical Culture and Witchcraft in Medieval and Renaissance Italy

aggravate 发表于 2025-3-23 07:52:59

https://doi.org/10.1007/BFb0074130. Further, the Roman world produced sets of legislation, from the Twelve Tables to the Theodosian Code, which dealt with harmful magic and which would go on to influence the entire European tradition.
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查看完整版本: Titlebook: Classical Culture and Witchcraft in Medieval and Renaissance Italy; Marina Montesano Book 2018 The Editor(s) (if applicable) and The Autho