窃喜
发表于 2025-3-30 08:47:22
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总
发表于 2025-3-30 15:53:15
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高兴去去
发表于 2025-3-30 19:39:51
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watertight,
发表于 2025-3-30 21:34:35
Ryoichi Nomura,Makoto Okamura,Takao Ohkawans and sewers to create, not just atmosphere but a metaphor for the moral state of Europe, 3 years after WWII. Sixty years on, Frederick Baker used a praxis called ‘Projectionism’ to frame its memory. Clips were projected onto the locations where they were originally shot. The original film becomes
他很灵活
发表于 2025-3-31 02:25:01
https://doi.org/10.1007/978-4-431-55621-3foundly spatial phenomenon; an aspect of the study of film and the Holocaust which has hitherto played a minor role in the literature. In particular, this chapter investigates the . as a cultural matrix in the memorialisation of the murdered Jews of Poland and includes a focus on survivors’ return j
Coronary-Spasm
发表于 2025-3-31 07:53:10
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nocturia
发表于 2025-3-31 09:54:18
Takao Ohkawa,Makoto Tawada,Ryoichi Nomura emotional entailments, not least the way it relates to the mood of melancholy. Melancholy is a more interesting emotional category than happiness, or even sadness and depression. Melancholy is in the company of long-distance travel, ambivalence about feelings, self-reflection and irony. It is been