护航舰
发表于 2025-3-27 00:13:53
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Axon895
发表于 2025-3-27 04:39:19
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agitate
发表于 2025-3-27 05:31:57
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agitate
发表于 2025-3-27 11:40:41
Minding the Gape phrase at cinema studies conferences, when questions of research at archives arise, to remind my colleagues of economic disparities between cinemas. Film archives have long been the privilege of First World nations, their upkeep and protocols the envy of many of us working on cinemas that have had
共同时代
发表于 2025-3-27 16:29:56
Slowing Downkadi Loist, whose essays and book series offer methods and theorizations indispensable to this field. Both the poetics and politics of film festivals are their mainstay—when attuned to the workings of film festivals, from curating to awards—and the search for undiscovered auteurs and extraordinary f
遵循的规范
发表于 2025-3-27 18:56:11
Bombay Noirr cinema is alive and well, as evidenced in the recognizable scholarship on the specific form and structuring of various genres. Regardless, noir receives passing mention. By contrast, stateside, the growing number of compendia on film noir, the lists of films added, subtracted, and discovered, defy
Astigmatism
发表于 2025-3-28 01:58:37
Tamil New Wavee Abhirami Theater, Chennai, in the summer of 2008. My appreciation of Tamil films took on a further burnish through a special programming venture in collaboration with the 3rd i South Asia Film Festival that was inaugurated at the Pacific Film Archive (PFA) in 2011. The series, which I co-curated w
Barter
发表于 2025-3-28 04:41:18
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2否定
发表于 2025-3-28 09:32:57
Untitled: Amitabh Chakraborty’s Cinemars with their ear attuned to both film festivals and non-official screenings of his work. I find no singular, satisfactory, classificatory category befitting his films, save a consistently enthralling choice of titles, such as . (1989), . (2006), and . (2012); these three surviving films are held up
Adenoma
发表于 2025-3-28 11:42:44
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