engrossed
发表于 2025-3-25 06:04:00
Book 2013From Tattoo to Saw, this book considers mainstream cinema‘s representation of the viscerally dominated and marked body. Examining a shift in the late twentieth century to narratives that highlight subjection, endurance and willed-acquiescence, it probes the confluence of pain, pleasure and consent to analyse the implications of the change.
阻挠
发表于 2025-3-25 09:41:47
https://doi.org/10.1057/978113730669220th century; bibliography; body; cinema; corpus; knowledge; play; subject; Tattoo; television; torture; twenti
信条
发表于 2025-3-25 14:48:40
978-1-349-33989-1Palgrave Macmillan, a division of Macmillan Publishers Limited 2013
Repetitions
发表于 2025-3-25 16:11:23
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FLAG
发表于 2025-3-25 23:11:58
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残酷的地方
发表于 2025-3-26 00:15:48
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昏迷状态
发表于 2025-3-26 05:16:57
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不要严酷
发表于 2025-3-26 11:07:43
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ethnology
发表于 2025-3-26 12:37:16
https://doi.org/10.1007/978-981-99-7683-6ed confusing that social practices discussed as separate strands in chapters 2–5 diminished in their cinematic specificity as the first decade of the twenty-first century progressed, for it cast a shadow over my primary concern of tracing a masochistic impulse directly informed by these idiosyncrasi
Misnomer
发表于 2025-3-26 18:51:54
Bondage and Discipline, Dominance and Submission, and Sadomasochism (BDSM) at the Movies,erefore neglected. In recent years, these aspects have begun to be charted (see, for example, Langdridge and Butt 2004; Weiss 2006; Barrett 2007; Ritchie 2008; Beckmann 2009) but without a concerted effort to situate them against a lineage of filmic representations. Yet, only by achieving a clearer