Cleveland 发表于 2025-3-21 18:27:50

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责难 发表于 2025-3-21 22:05:01

Popular Resistance at the Origin of the National Movement, hand, to consider that the resistance started as soon as the invading troops set foot in Sidi Ferruch. For decades, the images painted by French artists fed a one-sided colonial view of history.. On May 8, 1945, just as France was celebrating the liberation of Paris, thousands of Algerians, among t

哑剧 发表于 2025-3-22 00:29:20

Freedom Filmmakers: Pioneers in the Information Battle, the Revolution, politicians, and military alike. At the end of this congress, a platform was adopted. This declaration was followed by a series of actions being launched to arouse awareness abroad, essentially in the NATO countries allied to France. A number of filmmakers from France and other coun

主动脉 发表于 2025-3-22 06:13:32

Dream and Hope in Images: Algeria, Mirror Image of Its Cinema,beration war history. “Born of the independence war, Algerian cinema is haunted by its history” writes Guy Austin, for whom the recurrent dependence of Algerian cinema on the “national trauma first began with .” (Guy Austin, “Traumas, Cinema and the Algerian War,” . , 20). Produced by Casbah F

迷住 发表于 2025-3-22 09:20:24

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容易懂得 发表于 2025-3-22 13:48:13

Women in Cinematic Representations of the Liberation War,on. Those who are remembered by history, serve as symbols: Zohra Drif, Baya Hocine, Annie Steiner, Djamila Bouhired, and Djamila Boupacha; chosen to respond to the colonial terror, they became, along with their fellow women, legendary figures. These women lastingly registered the freedom of Algerian

容易懂得 发表于 2025-3-22 18:08:52

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gerontocracy 发表于 2025-3-22 22:49:31

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Rustproof 发表于 2025-3-23 04:24:50

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广大 发表于 2025-3-23 07:21:21

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查看完整版本: Titlebook: Cinema and the Algerian War of Independence; Culture, Politics, a Ahmed Bedjaoui Book 2020 The Editor(s) (if applicable) and The Author(s),