神化怪物 发表于 2025-3-26 23:38:07

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称赞 发表于 2025-3-27 02:32:52

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赏钱 发表于 2025-3-27 06:19:38

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未完成 发表于 2025-3-27 11:20:28

The Atomized Subject,ogical “ground zero.” The two films form part of a transnational dialogue that cuts across the boundaries of national cinema and language. Though they may appear, on the surface, to have little in common—they were made over twenty years apart (1959 and 1980, respectively) in different countries and

走调 发表于 2025-3-27 15:54:31

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avulsion 发表于 2025-3-27 20:32:57

Afterword,the architectonics of reason:” “It is impossible to build anything whatsoever from or on this debris. All one can do is thread one’s way through it, slip and slide through the ruins, listen to the complaints that emanate from them.” Citing Walter Benjamin and Theodore Adorno, Lyotard continues: “Phi

开玩笑 发表于 2025-3-27 22:10:11

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运动吧 发表于 2025-3-28 02:52:55

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Acetaminophen 发表于 2025-3-28 10:17:28

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无政府主义者 发表于 2025-3-28 11:10:53

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查看完整版本: Titlebook: Cinema after Fascism; The Shattered Screen Siobhan S. Craig Book 2010 Palgrave Macmillan, a division of Nature America Inc. 2010 cinema.Eur